
History of Wolves
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Narrated by:
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Caitlin Thorburn
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By:
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Emily Fridlund
About this listen
Even a lone wolf wants to belong....
Fourteen-year-old Linda lives with her parents in an ex-commune beside a lake in the beautiful, austere backwoods of Northern Minnesota. The other girls at school call Linda 'Freak' or 'Commie'. Her parents mostly leave her to her own devices whilst the other inhabitants have grown up and moved on.
So when the perfect family - mother, father and their little boy, Paul - move into the cabin across the lake, Linda insinuates her way into the family's orbit. She begins to babysit Paul and feels that she finally has a place to belong. But something isn't right. Drawn into secrets she doesn't understand, Linda must make a choice. But how can a girl with no real knowledge of the world understand what the consequences will be?
2018, Man Booker Prize, Short-listed
©2017 Emily Fridlund (P)2016 Orion Publishing Group LimitedCritic reviews
Reminds me of Curtis Sittenfeld...so original, a beautiful literary work" (Viv Groskop)
"A writer with a great future ahead of her...her prose is exquisite" (Louise Doughty)
Well written and original
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A lot of really good themes, but...
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Voice problems
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Intriguing but confusing
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Confusing switch between irrelevant time periods
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If only something would have happened
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But this novel is so much more than that straightforward narrative. It examines bullying in all its forms, by adults and children; secrets and lies; the nature of truth; coercion within relationships; religion and the choices that it forces upon vulnerable people; the rights of children; alleged paedophiles and their 'victims'.
It is very atmospheric and the descriptions of the remote area in which the story is set are very vivid. The only thing that bothered me was the voice of the narrator. Someone with a little more gravitas would have been more suitable, I felt. but overall, it didn't spoil the story.
An absorbing novel, with hidden depths.
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Fine narration, dull story
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Linda is 14, melodramatic and poetic. She's somewhat obsessed with a classmate, Lily, who spread rumours that their teacher, Me Grierson, molested her though this is questionable. Linda's narrative often veers off into dark corners, and the way the story is told (going back and forth, from teenage Linda to older Linda, reminiscing) only serves to increase the feeling of unease as the reader continues through the story.
The girl also spends a lot of time babysitting Paul, a toddler who moved into a cabin across the lake with his mother, Patra. Paul's father, Leo, is often working away, but when he arrives, Linda's relationship with Petra becomes strained. Patra's youth becomes glaringly obvious when her older husband appears. As a reader you're aware that something terrible has happened, but author Emily Fridlund trickled the information into your mind, keeping you reading until the end. The story surrounds Linda feeling both as a victim and a wrongdoer.
It's not the best Man Booker long list read as at times the narrative is far too disjointed. But the author writes very well.
Compelling and rather odd
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What annoyed me though were the bloopers, when a word was misread and became non-sensical in the context of the sentence - there were quite a few and they were majorly jarring and pulled me out of the story each time. How hard would it be to stop the recording and rerecord that section and get it right? This is a question for all publishers of audiobooks.
Good but Bloopers
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