A tour-de-force of historical imagination, this is the story of three young men at the dawn of the French Revolution. Georges-Jacques Danton: zealous, energetic, debt-ridden. Maximilien Robespierre: small, diligent, and terrified of violence. And Camille Desmoulins: a genius of rhetoric, charming, handsome, but erratic and untrustworthy. As these key figures of the French Revolution taste the addictive delights of power, they must also come to face the horror that follows.

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

Evelyn and Muriel Axon, mother and daughter, lead a haunted existence. Objects of horror to their neighbours, they evade or terrorise any social worker who crosses their path. Inside their house, they pursue a covert persecution of each other, shrinking from the unseen occupants of their spare room. But change is in the air… Every Day is Mother's Day is a merciless comedy of colliding lives: of sex, death, madness, adultery and the social services.

Penny Rush has problems. Freshly divorced from her mobile knife-sharpener husband, she has returned home to Santa Barbara to deal with her grandfather, who is being moved into a retirement home by his cruel second wife. Her grandmother, meanwhile, has been found in possession of a sinister sounding weapon called ‘the scintilltor’ and something even worse in her woodshed. Penny’s parents have been missing in the Australian outback for many years now, and so Penny must deal with this spiralling family crisis alone. Enter The Dog of the North.

From the double Man Booker Prize-winner, a savagely funny tale that revisits the characters from the much-loved Every Day is Mother’s Day. Muriel Axon is about to re-enter the lives of Colin Sidney and Isabel Field. It is ten years since her last tangle with them, but for Muriel this is not time enough. There are still scores to be settled, truths to be faced and vengeance to be wreaked.

Charles O’Brien, Irish bard and giant: The cynical are moved by his flights of romance; the craven stirred by his tales of epic deeds. The Surprising Irish Giant may be the sensation of the season but only his compatriots seem to attend to his mythic powers of invention. John Hunter, celebrated surgeon and anatomist, buys dead men from the gallows and babies’ corpses by the inch. Where is a man as unique as The Giant to hide his bones when he is yet alive?

Ralph and Anna Eldred live in the big Red House in Norfolk, raising their four children and devoting their lives to charity. But the constant flood of 'good souls and sad cases' welcomed into their home hides the growing crises in their own family. From the violent townships of South Africa to the windswept countryside of Norfolk, this is an epic yet subtle family saga about what happens when trust is broken...

Opening with "A Second Home", in which Mantel describes the death of her stepfather, Giving Up the Ghost is a wry, shocking, and beautifully written memoir of childhood, ghosts (real and metaphorical), illness, and family. Finally, at the memoir's conclusion, Mantel explains how a series of medical misunderstandings and neglect left her childless, and how the ghosts of the unborn have come to haunt her life as a writer.

By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry’s second wife, for whose sake Henry has broken with Rome and created his own church. In Bring Up the Bodies, Hilary Mantel explores one of the most mystifying and frightening episodes in English history: the destruction of Anne Boleyn.

England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need, comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.

Nora is just 12 when the war breaks out and she joins trainloads of evacuees leaving London's East End for the safety of rural Kent. Her surrogate family,the Rivers,are unline anyone she has ever met and she soon comes to lover her new life with them,in particular with their daughter Grace. The two become as close as sisters,although, to Nora's confusion,even this is not quite as close as she would like. What happens next is a secret that wil eat away at Nora for the rest of her life.

We're all something else inside.... 1952. Standing in a cold Suffolk field with her family, six-year-old Mary Ward has a revelation: I am not Mary. That is a mistake. I am not a girl. I'm a boy. So begins Mary's heroic struggle to change gender. Moving from the claustrophobic rural community of the 1950s to London in the swinging '60s and beyond to the glitter of America in the '70s, Sacred Country is the story of a journey to find a place of safety and fulfilment in a savage and confusing world.

Following the discovery of the body of a well-loved parish priest at Ballyglass House - the Co Wexford family seat of the aristocratic, secretive Osborne family - Detective Inspector St John Strafford is called in from Dublin to investigate. Facing obstruction from all angles, Strafford is determined to identify the murderer. But, as the snow continues to fall over this ever expanding mystery, the people of Ballyglass are equally determined to keep their secrets.

Mr. Prendergast, an elderly Anglo-Irishman, is living out his last years in the decaying splendour of his family mansion. As his mind wanders through the gloom he finds it peopled with memories of his neglected wife, his pale shadow of a father, his icily glamorous mother and Alexander, the son she so jealously loved, killed in the First World War. With only his ill-tempered alcoholic gardener left to attend to him, Mr. Prendergast is content to pass his days in such ghostly company.

In Nocturnes, a sublime story cycle, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the Malvern Hills, a London flat to the "hush-hush floor" of an exclusive Hollywood hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning. Gentle, intimate, and witty, this quintet is marked by a haunting theme: the struggle to keep alive a sense of life's romance, even as one gets older.