Flaubert’s Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad, with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam, and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.

No one has a better perspective on life on both sides of the channel than Julian Barnes. In these exquisitely crafted stories spanning several centuries, he takes as his universal theme the British in France: from the last days of a reclusive English composer, the beef consuming 'navvies' labouring on the Paris-Rouen railway to a lonely woman mourning the death of her brother on the battlefields of the Somme.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired.

'You put together two things that have not been put together before. And the world is changed...' Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.

In a collection that is wise, funny, clever and moving, Julian Barnes has created characters whose passions and longings are made all the stronger by the knowledge that, for them, time is almost at an end.

The adolescent Christopher and his soul mate, Toni, had sneered at the stifling ennui of Metroland, their cosy patch of suburbia on the Metropolitan line. They had longed for Life to begin - meaning Sex and Freedom - to travel and choose their own clothes. Then Chris, at 30, starts to settle comfortably into bourgeois contentment himself. Luckily, Toni is still around to challenge such backsliding.

Introducing Stuart, Gillian and Oliver. One by one they take their turn to speak straight out to the camera - and give their side of a contemporary love triangle. What begins as a comedy of misunderstanding slowly darkens and deepens into a compelling exploration of the quagmires of the heart.

This is one of the defining novels of English writer Julian Barnes. An entertaining melange of stories starting with a contemporary account of the launch of Noah's Ark takes us into unexpected areas of human foibles, activities, and tendencies.

'Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question.' First love has lifelong consequences, but Paul doesn't know anything about that at 19. At 19, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.

For 12 years, Aina and Whitney have been in exile on an island for a crime they committed together, tethered to a croft by pills they must take for survival every eight hours. They’ve kept busy - Aina with her garden, her jigsaw, her music, Whitney with his sculptures and maps - but something is not right. Shipwrecks have begun washing up, and their supply drops have stopped. And on the day they’re meant to be collected for parole, the Warden does not come. Instead there’s a sheep. But sheep can’t swim.

This novel is based on Arthur Conan Doyle's extraordinary real-life fight for justice. Arthur and George grow up worlds and miles apart in late 19th-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur becomes a doctor, and then a writer, George a solicitor in Birmingham. Arthur is to become one of the most famous men of his age; George remains in hardworking obscurity. But as the new century begins, they are brought together by a sequence of events which made sensational headlines at the time as The Great Wyrley Outrages.

Julian Barnes began writing about art with a chapter on Géricault's The Raft of the Medusa in his 1989 novel A History of the World in 10 1/2 Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, for a variety of journals and magazines. Gathering them for this book, he realised that he had unwittingly been retracing the story of how art made its way from Romanticism to Realism and into Modernism. 

In May 1937, a man in his early 30s waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now, and few who are taken to the Big House ever return.

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city.

Unforgettably funny and painfully honest, Jonathan Coe's tale of Benjamin Trotter and his friends' coming of age during the 1970s is a heartfelt celebration of the joys and agonies of growing up. Featuring, among other things, IRA bombs, prog rock, punk rock, bad poetry, first love, love on the side, prefects, detention, a few bottles of Blue Nun, lots of brown wallpaper, industrial strife, and divine intervention in the form of a pair of swimming trunks.