Laura and Tyler are best friends who live together, angrily philosophising and leading each other astray in the pubs and flats of Manchester. But things are set to change. Laura is engaged to teetotal Jim, the wedding is just months away, and Tyler becomes hell-bent on sabotaging her friend's plans for a different life.

Jane Peters is an adrift 20-something by day, and a world-weary agony aunt by night. But when an office party goes too far, Jane dissolves into the high-stakes world of being the Other Woman: a role she has the right advice for, but not the smarts to follow through on. What starts out as a drunken mistake quickly unravels as Jane discovers that sex and power go hand in hand and that it's hard to keep your head when you've become someone else's dirty little secret. And soon, her friendships, her sanity and even her life are put into jeopardy.

Olive is many things. Independent. Adrift. Anxious. Loyal. Kind. Knows her own mind. It’s okay that she’s still figuring it all out, navigating her world without a compass. But life comes with expectations, there are choices to be made, boxes to tick and - sometimes - stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices - because life according to Olive looks a little bit different.

The Hungover Games is the true story of one woman’s adventures in single-motherhood. It’s about what happens when Mr Right isn’t around, so you have a baby with Mr Wrong, a musician who tells you halfway through your pregnancy that he’s met someone else - just after you’ve given up your LA life and moved back to England to be with him, so you’re now six months up the duff and sleeping on a friend’s sofa in an art studio in Dalston.

The first novel from the award-winning, best-selling author of Everything I Know About Love. Thirty-two-year-old Nina Dean is a successful food writer with a loyal online following but a life that is falling apart. When she uses dating apps for the first time, she becomes a victim of ghosting and by the most beguiling of men. Her beloved dad is vanishing in slow motion into dementia, and she's starting to think about ageing and the gendered double-standard of the biological clock.

Six months after the birth of her son, Emma Jane Unsworth finds herself in the eye of a storm. Nothing - from pregnancy to birth and beyond - has gone as she expected. A birth plan? It might as well have been a rough draft! Furious and exhausted, her life is the complete opposite of what it used to be. She's swapped all night benders for a grazed labia and Whac-a-Moling haemorrhoids. How did she end up here? In this brave and hilarious account of postnatal depression, Emma tells her story of despair and recovery.

There's no doubt that Tori is winning the game of life. She's inspired millions of women to stick two fingers up at convention with her best-selling memoir, and she has the perfect relationship to boot. But Tori Bailey has been living a lie. Everyone around her is getting married and having babies, but her long-term boyfriend won't even talk about getting engaged. And when her best friend Dee - her plus one, the only person who understands the madness - falls in love, suddenly Tori's in terrifying danger of being left behind.

It's Valentine's Day, and Ellie Knight finds herself eating Nutella in the bar stock after a no-show date. But single doesn't have to be the loneliest number, does it? She goes back home to her flatshare and weird flatmates. It's okay there's black mould everywhere, right? With a hangover from hell, she goes to the office job she thought she would have quit by now. Doesn't everyone hate their job? Maybe Ellie isn't following the official life plan, but perfect is overrated.

Hannah, Cate and Lissa are young, vibrant and inseparable. Living on the edge of a common in East London, their shared world is ablaze with art and activism, romance and revelry - and the promise of everything to come. They are electric. They are the best of friends. Ten years on, they are not where they hoped to be. Amidst flailing careers and faltering marriages, each hungers for what the others have. And each wrestles with the same question: what does it take to lead a meaningful life? 

Award-winning journalist Dolly Alderton survived her 20s (just about) and in Everything I Know About Love, she gives an unflinching account of the bad dates and squalid flat-shares, the heartaches and humiliations and most importantly, the unbreakable female friendships that helped her to hold it all together. Glittering with wit, heart and humour, this is an audiobook to press into the hands of every woman who has ever been there or is about to find themselves taking that first step towards the rest of their lives. 

When Emira is apprehended at a supermarket for ‘kidnapping’ the white child she’s actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with the best of intentions, resolves to make things right. But Emira herself is aimless, broke and wary of Alix’s desire to help. When a surprising connection emerges between the two women, it sends them on a crash course that will upend everything they think they know – about themselves, each other and the messy dynamics of privilege.

Charlie's career as a filmmaker is on standby, she hasn't had a girlfriend in forever, her best friend is sickeningly successful (and being awkward since that night) and her dad is dying of cancer. So the invitation from Cork Film Festival comes like a sign - a chance to explore the Irish homeland she's never seen. But this isn't just any search for long-lost ancestry: Charlie's father is the sole survivor of a tragic accident that killed every other child on the small island where he grew up, and Charlie's one achievement is the film she made that tells his story. 

Everyone tells Martha Friel she is clever and beautiful, a brilliant writer who has been loved every day of her adult life by one man, her husband Patrick. So why is everything broken? Why is Martha - on the edge of 40 - friendless, practically jobless and so often sad? And why did Patrick decide to leave? Maybe she is just too sensitive, someone who finds it harder to be alive than most people. Or maybe - as she has long believed - there is something wrong with her. 

The panic years can hit at any time but they are most commonly triggered somewhere between the ages of twenty-five and forty. During this time, every decision a woman makes - from postcode to partner, friends to family, work to weekends - will be impacted by the urgency of the one decision with a deadline, the one decision that is impossible to take back: whether or not to have a baby. But how to stay sane in such a maddening time? How to understand who you are and what you might want from life? How to know if you're making the right decisions?

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.