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A Memoir of My Former Self cover art

A Memoir of My Former Self

By: Hilary Mantel
Narrated by: Anne Enright, Aurora Dawson Hunte, Ben Miles, Bill Hamilton, Jane Wymark, Lydia Leonard, Nicholas Pearson, Sarah Waters
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Summary

A Memoir of My Former Self reveals the shape of Hilary Mantel's life in her own dazzling words, narrated by a prestigious cast of actors and notable literary figures connected to Hilary's work.

From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, Hilary Mantel had a celebrated career as a novelist. Alongside this, she long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of Hilary's writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades.

Mantel's subjects are wide-ranging. She discusses nationalism and her own sense of belonging; our dream life flopping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels—revolutionary France, psychics, Tudor England—and other novelists, from Jane Austen to V. S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is a selection of her film reviews—from When Harry Met Sally to RoboCop—and, published for the first time, her stunning Reith Lectures, which explore the process of art bringing history and the dead back to life.

Compelling, often very funny, always luminous, it is essential listening from one of our greatest writers.

Voiced by Ben Miles, Lydia Leonard and Aurora Dawson-Hunte; all of whom have featured in stage adaptions of Hilary's work. With contributions from actress Jane Wymark, narrator of Hilary's memoir Giving up the Ghost. Readings from authors Anne Enright; the first Laureate for Irish Fiction and winner of the 2007 Booker Prize, and Sarah Waters; British Book Award Author of the Year and two-time Booker Prize nominee. Joining the cast are Hilary's long-time literary agent Bill Hamilton and her publisher for nearly twenty years, Nicholas Pearson.

'A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature'—Margaret Atwood

©2023 Hilary Mantel (P)2023 W. F. Howes Ltd

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Just beautiful

I feel bereft. I don’t know what I’m going to do now it’s over. Start it over again I think.

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A great selection of a great writer's talent

Edited by her publisher and read by eight narrators including Anne Enright and Sarah Waters, these 15 hours illustrate Hilary Mantel’s astonishing talent. Arranged in sections, the wide coverage includes her five Reith Lectures on the art of writing, and her sparkling , in-depth reviews of books and films . What a great pleasure it is to be reminded of them! Other pieces range over topics varying from her fraught years in Saudi Arabia and the career of Marie Antoinette, to perfume ad cricket.

I love her far-ranging references , always invigorating , idiosyncratic and often darkly witty. Who else would – or could - make a startling and thought-provoking analogy between the symbolism off Princess Diana‘s costumes and those of Marie Antoinette?

Her book reviews are not just about the writing, but they also create the writers as complete people. Rebecca West, Jane Austen, Elizabeth Jane Howard, even W.E.Johns, whose Biggles books she so loved as a child , are all fresh and real. In her liberal choice of Irish fiction writers – John McGahan in particular – she explores her palpable connection with Ireland and its history,. Her Irish grandmother , an illiterate mother of ten, is a story of its own.

Another piece describes how she first engaged with Wolf Hall , and elsewhere in relation to her great Tudor oeuvre, she explores the ‘neutrality of the historian versus the partisan nature of the novelist’. Amongst her historical essays, the succinct account of Anne Boleyn’s tragic life stands out. I can’t forget the detail of Henry selecting an executioner especially renowned for his sharp blade .

Mantel’s writing on her personal life sampled here is extremely moving. As she charts the endometriosis which caused her infertility and blighted her adult life. Her piece is called quite simply ‘Every part of my body hurts’. The ghost-baby is heart-breaking.

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