United States

Melanie Jenkins, newly single and desperate for change, swaps her ER scrubs for a stethoscope and a one-way ticket to Crazy Town. Her destination? The mansion of Rhonda Miltmore—hypochondriac extraordinaire and self-appointed Cupid. Enter Brent Miltmore: Wall Street titan with an emotional portfolio in dire need of diversification. When he takes a tumble (literally), guess who becomes his reluctant caretaker? Yep, his childhood nemesis.

For a quarter century, Peggy Noonan has been thinking aloud about America in her much-loved Wall Street Journal column. In this new collection of her essential recent work, Noonan demonstrates the erudition, wisdom and humor that have made her one of America’s most admired writers. She calls balls and strikes on the political shenanigans of recent leaders and she honors the integrity of great Americans, ranging from Billy Graham to the heroes of 9/11.

Drawing on the same lyrical prose and strong sense of place that distinguished his award-winning first novel, One Foot in Eden, Ron Rash has written a book about the deepest human themes: the love of the land, the hold of the dead on the living, and the need to dive beneath the surface to arrive at a deeper truth. Saints at the River confirms the arrival of one of today's most gifted storytellers.

Dr. Ana Maria Ross Gutierrez runs a clinic near the Texas-Mexico border, taking care of those who've crossed into the United States illegally. Ana was once married to Peter Ross, but his decision to join the border patrol drove her to divorce him—despite Peter's continuing feelings for her and his conviction that he's protecting the desperate immigrants in his own way. Now, as hostility and hatred heat up in El Paso, Ana, Peter, and a young mother are entangled in danger and violence that threaten them all.

Détroit, fin des années 1970. Hannah et Wes Jarrett forment l'une des familles les plus en vue de l'élite blanche et bourgeoise. Mais entre les galas caritatifs et les déplacements d'affaires, ils se croisent à peine et n'ont plus en commun que leurs deux enfants, choyés par la gouvernante. Par ailleurs, des gros titres abominables font la une des journaux : des cadavres de garçons sont retrouvés nus, sans vie, comme exposés au public. Par un meurtrier dont on ne sait rien, et que les médias s'empressent de nommer Babysitter.

Try as he might, Junius "Little Whit" Whitman can't unsee the busted foundation of his father's holy roller faith. All in one night, he's watched a man die in the middle of a prayer service, a tornado level a neighboring town, and his parents' marriage incinerate above him. Even though he doubles down on his efforts to believe, Whit enters young adulthood searching for a faith he can hold onto.

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction—as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons.

Nestled between the smoky, rolling peaks of Southern Appalachia lies the town of Brevard, North Carolina. When Chris Avery's family moves to Brevard in the early 1970s, Chris quickly becomes immersed in a world untouched by the mire of life outside the mountains.

Heart of the Book: Poetically capturing life while living in a poetic universe. Poetry is the source of my creativity and my life is the arena in which I share. The stories of my life and things relating to it are captured within.

Often, when speaking of what he has called the poetic operation of language, Scott Cairns has characterized that event as our “glimpsing an indeterminate, inexhaustible enormity within a discrete space.” This is the poet's continuing fascination with lacunae, those spaces, those openings that offer more within than appearances can register from outside the ostensible covert of their terms. Cairns is here focused upon how an image, a word, or—in the case of the Theotokos—a womb can contain the uncontainable.

The Sisters of Blue Mountain Beach is a gripping tale revolving around the lives of three remarkable women who suddenly go missing in the devastating aftermath of a ferocious hurricane on Florida's renowned 30A.

Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him. The frightening bone picker is just one of many entities, scary and mysterious, who lurk behind every moment of this spine-tingling collection of Native fiction, written by award-winning Choctaw author Devon A. Mihesuah.

Prohibition is in full swing, and the glamorous life of upper-class Kansas City is everything Rose (Luna) Lane ever hoped it would be. Being married to her best friend isn’t so bad either, considering their agreement to keep their real love lives out of the public eye. However, try as she might to continue her life of anonymity, her popularity as a land developer’s wife—and as a successful club owner—draws even more attention to her personal endeavors. Soon, the balancing act between the life of Luna and Rose becomes a full-time job itself, making visiting home harder than ever before.

"Cos'è giusto? Se si vuole una cosa è giusto prendersela. Se si vuole fare una cosa è giusto farla". Sesso facile, cocaina, feste sempre più trasgressive, auto di lusso, rock a tutto volume: a Los Angeles i giovanissimi che frequentano l'ambiente patinato degli studios cinematografici hanno tutto e non desiderano più niente. In un mondo illuminato dai bagliori spettrali dei videoclip e svuotato di ogni sentimento, Clay, Blair, Daniel e Julian, biondi e abbronzati, esplorano le pieghe infernali del "paradiso" californiano in un crescendo di immoralità e devastazione interiore che presto sconfina nell'orrore.

*100 Selected Poems* by Emily Dickinson offers listeners a carefully curated glimpse into the profound and enigmatic world of one of America’s most celebrated poets. This collection brings together poems that explore themes central to Dickinson’s life and work, such as nature, solitude, love, death, and immortality. Her writing style—marked by unique punctuation, innovative rhythms, and striking imagery—invites listeners into her introspective observations and keen philosophical insights.