Science Fiction

Dispatched to the mysterious planet of Zonama Sekot, source of the fastest ships in the galaxy, Obi-Wan and Anakin are swept up in a swirl of deadly intrigue and betrayal. For the Trade Federation is interested in Zonama Sekot as well. Raith Sienar, a brilliant but unscrupulous weapons and ship designer, seizes the opportunity to make a killing by stealing the secret of the superfast ships.

The first mission to Europa – Jupiter's enigmatic moon – has landed, and humanity’s darkest fears are about to awaken. For years, mankind has speculated that this frozen world harbours a hidden ocean twice the size of all Earth’s oceans combined – an ocean potentially teeming with life. Driven by this tantalising mystery, they venture forth to unlock its secrets. But what they discover in the abyssal depths is far beyond anything they could have imagined.

In The Dalek Generation, by Nicholas Briggs, the Doctor is determined to find out the truth about Sunlight 349, one of the apparently benevolent Dalek Foundation worlds. In Shroud of Sorrow, by Tommy Donbavand, it’s the day after John F Kennedy’s assassination, and the Doctor and Clara discover that the faces of the dead are everywhere.

The Doctor is enjoying the sun on a holiday island, until things get hotter than he bargained for. The young American, Perpugilliam Brown, brings to the TARDIS a mysterious object that her archaeologist step-father has found in a sunken wreck. When the Doctor’s robot friend Kamelion reacts to the object unexpectedly, it has bewildering consequences for the TARDIS crew.

Some art can be deadly . . . Young Frida Kahlo is angry. Injured in a terrible accident, she lives with constant pain and worries that her dreams are unreachable. But when the TARDIS lands in Mexico City – drawn by a strange disturbance in its energy fields – Frida’s life is turned upside down. Aliens have arrived, taking over the bodies of children and killing anyone who gets in their way.

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can’t be killed. Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her, and hers towards him.

Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of monsters. Together, this motley crew will face down the ultimate evil—Dracula.

In late-twenty-first-century Australia, Tao-Yi and her partner Navin spend most of their time inside an immersive, consumerist virtual reality called Gaia. They log on, go to work, socialise and even eat in this digital utopia. Meanwhile, their aging bodies lie suspended in pods inside cramped apartments. Across the city, in the abandoned real world, Tao-Yi's mother remains stubbornly offline, dwindling away between hospital visits and memories of her earlier life in Malaysia.

Ray Bradbury brings wonders alive. For this peerless American storyteller, the most bewitching force in the universe is human nature. In these eighteen startling tales unfolding across a canvas of tattooed skin, living cities take their vengeance, technology awakens the most primal natural instincts, and dreams are carried aloft in junkyard rockets.

In 2025, the moon hatched and its child died. Things have since gotten worse. Some people have superpowers now, but so do the extradimensional invaders slowly wiping humanity out. By Julietta's eighteenth birthday, the war has been loss after loss for far longer than she's been alive, so she can't bring herself to be terribly shocked when the sky splits in half and weeps death. Surviving is the real surprise.

Captain Cirilo Webster is a loyal officer of the Santiago Corporation, the multistellar megacorporation that controlls all travel between the Seventy-Seven human colonies. Finally given command of his first interstellar freighter, he is determined to do well by both his crew and his employers—but nothing is ever that simple. His crew is used to Captains passing through on their way to better ships. The Company’s policies have made more enemies than he can count. Their mission is unusual and the client might be lying to him. And if all of that wasn’t enough?

Deep in space lies the black hole known as Angelmass, so called because it emits enigmatic particles with the unusual ability to render humans calm, reasonable, and incapable of lying—which would normally be seen as a good thing. But not by everyone. Academic Jereko Kosta is pressed into service by the Pax to spy on the Empyrean, joining the crew of a ship actively hunting the particles. But what he learns turns out to be both scientifically fascinating and morally frightening.

First contact wasn’t peaceful. The Zodarks, brutal and unrelenting, tore into the Republic’s defenses. Armed with cunning and unquenchable bloodthirst, the four-armed warriors dominated over every adversary. Caught off guard as the Republic stumbled into an interstellar war it wasn’t ready to fight—against an adversary born from nightmares. Mankind clung to hope as it healed divisions, forged new alliances, and prepared for the war thrusted upon it.

Victorian adventure writer Henry Rider Haggard is most famous for his novel King Solomon’s Mines, which launched the ‘Lost World’ genre of SF, featuring the discovery of long-forgotten or legendary civilizations. His follow-up, She, was also hugely successful, and has been hailed as ‘one of the great classics of fantasy fiction’. The radio dramatisations of both tales are collected here, with casts including Tim McInnerny, Adjoa Andoh, Finlay Robertson, Oliver Chris and Mia Soteriou.

Isaac is Hannah’s entire world. She knows that her son is gifted, and that those gifts make him vulnerable. To keep him safe, she spends every waking moment by his side. If she lets her guard down, lets him out of her sight, lets him show what he’s capable of, he will be taken from her. When the Soundfield arrived twenty years ago, the world changed with it. Now, people are forced to live at night due to the deadly heat of the day, food and water are scarce, and everyday life is punctuated by the constant and disconcerting hum from the Field.

Von rachsüchtigen Eldar verfolgt, stößt Magos Kotovs Exploratorenarmada in ein neuentdecktes Gebiet des Weltraums vor, um dessen uralte Geheimmnisse zu erkunden. Während die Streitkräfte des Adeptus Mechanicus und der Space Marines der Black Templars die zwiefache Bedrohnung aus zornigen Xenos und Meuterei an Bord der Flotte bekämpfen, offenbart sich eine noch größere Gefahr...

E-Day: The moment the machines evolved and humans nearly went extinct. In the chaos, one million people escaped Earth and fled to a secret colony on the dark side of the Moon. Deep beneath the lunar surface, in the cold, they wait for the inevitable—a second attack that will wipe humanity out forever.

A vast battlecruiser moves silently through space—a ghost ship, abandoned decades ago. There could be treasure inside… or monsters. I’m the sucker who’s going to find out. Once I was a hero. An elite soldier fighting for the Paragon military. Now the Paragon’s wars are won and I’m nobody—a gun for hire, working illegal salvage operations. There’s money to be made out in the dark. Ships filled with valuable tech, left to drift between the stars. A smart salvage crew can get rich. Or at least die trying.

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.

Halley Zwick steckt in Schwierigkeiten. In der Art Schwierigkeiten, bei der falsche Ausweise, mächtige Politiker und mehr als eine Sorte Gesetzeshüter involviert sind. Sowohl die Guten als auch die Bösen sind hinter ihr her, aber Halley kann nicht länger sagen, wer eigentlich wer ist. Um allen zu entkommen, nimmt sie einen Job auf dem Raumschiff "Elysium Fields" an, wo die Reichen und Schönen Seite an Seite in ihren Kälteschlafkapseln liegen – und das seit Hunderten von Jahren.

With humanity facing imminent extinction, Centauri Project scientists use technology originally designed for interstellar travel to send a test subject ten millennia into Earth's future. Marooned in an uninhabited wilderness, microbiologist Nicholas Hindman searches for evidence of remnant populations. He has a protocol to follow and is determined to do so to the bitter end—though he knows he's probably searching in vain, stranded on an uninhabited planet silently orbiting the sun.

The year is 1940, and Great Britain's forces struggle against the Nazi war machine. France has fallen to Adolf Hitler's army, and England is next. A British secret agent pays the ultimate price to deliver early warning to harness the power of the occult to conquer Great Britain by launching a supernatural assault that no defending military force could possibly deflect.

Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, creating a global sensation and launching one of the world's most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity's shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas.

In 2050s London, fear grips like a vice as a deadly virus sweeps the globe. The British prime minister tells her people to remain calm. A vaccine will be available soon, and as a precautionary measure children will be whisked away to undisclosed locations, kept safe until the storm passes. Marianne, Downing Street press secretary, doesn’t realise the futility until it is far, far too late. When the truth hits her, Marianne is forced to choose: stay with her family, or do whatever she can to help the doomed survive.

Elodie and Markus Black seem like an ordinary couple, but when Markus dies in a tragic accident, their lives take an extraordinary turn. Driven by love and desperation, Elodie hopes that Markus's groundbreaking research can bring him back to life. Instead, Elodie herself becomes the first to benefit from his work, launching her on a journey that transcends time, love, and even death.