World War II

A powerful and authentic account of WWII from 101-year-old veteran John Humphreys, from boy soldier in the Royal Engineers to jumping into Arnhem with the Parachute Regiment in 1944, spearheading the attack on the bridge. For days they held on, outnumbered and outgunned by a German army fighting to the last bullet. But the Bridge Too Far is only the climax of this extraordinary story... Coinciding with the 80th anniversary of Operation MARKET GARDEN, The Last Para is be the final firsthand account of this legendary action, told with incredible honesty and irrepressible spirit.

For the first time ever, acclaimed naval historian James D. Hornfischer, “the dean of World War II naval history," writing with his son David J. Hornfischer, explores Capt. E. Evans’s incredible story, from his humble upbringing as a child of a Cherokee and Creek family in Pawnee, Oklahoma, and his graduation from the Naval Academy in 1931, to his service on fighting ships during the Pacific War and his selfless bravery and cool command during a valiant faceoff with the pride of the Japanese Navy.

As the war began to swing in the favor of the Allies, it became clear that no final defeat of the Third Reich would be possible until the armored monsters of the Panzerwaffe were defeated. But who would, or even could, take on the mighty Tigers and Panthers, just a handful of which could stop entire formations in their tracks? The answer lay with the formation of a new type of unit, the Tank Destroyer Battalion.

With incredible wit, startling confessions, and unique observations, Ned Mathews went from being a twenty-eight-year-old Art Historian and Restorer to an infantryman in the bloodiest fought battle of World War Two. Always with an eye for entertaining his bride at home, Ned’s letters were filled with witty points of view of army life, explaining the difficulties of overtaking the German forces from their dug-in defenses, admiring the architecture of Europe, and watching the bombing of Monte Cassino.

"Considerate se questa è una donna | Senza capelli e senza nome | Senza piú forza di ricordare | Vuoti gli occhi e freddo il grembo | Come una rana d'inverno". È con questa immagine scarnificata che Primo Levi, nell'incipit di Se questo è un uomo, indica la necessità di riflettere sulla condizione delle donne prigioniere ad Auschwitz. Eppure per molti anni la storiografia e la testimonianza hanno appiattito l'esperienza femminile in una declinazione universale, in un neutro linguistico che, dimenticando i corpi sessuati, ha reso opaca l'intenzionalità stessa dello sterminio.