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If you’re looking for the hottest, filthiest collection of erotic short stories of the year that will leave you breathless and satisfied, then keep reading…My name is Rayna Russell, and I’m an author, editor, and writing teacher. I’m also an unapologetically rabid consumer of erotica. Like many of you, I think the short story is the perfect format for the genre. I love to meet new characters, explore a unique setting, and see what dirty magic an author can create in a few minutes. This format also pushes your boundaries.

When the world’s best magicians are offered an extraordinary opportunity, saying yes is easy. Each could join the secretive Alexandrian Society, whose custodians guard lost knowledge from ancient civilizations. Their members enjoy a lifetime of power and prestige. Yet each decade, only six practitioners are invited—to fill five places.

In this thrilling next instalment, the secret society of Alexandrians is unmasked. Its newest recruits realize the institute is capable of raw world-changing power. It’s also headed by a man with plans to change life as we know it—and these are already under way. But the cost of this knowledge is as high as the price of power, and each initiate must choose which faction to follow. Yet as events gather momentum and dangers multiply, which of their alliances will hold? Can friendships hold true and are enemies quite what they seem?

An explosive return to the library leaves the six Alexandrians vulnerable to the lethal terms of their recruitment. Old alliances quickly fracture as the initiates take opposing strategies as to how to deal with the deadly bargain they have so far failed to uphold. Those who remain with the archives wrestle with the ethics of their astronomical abilities, while elsewhere, an unlikely pair from the Society cohort partner to influence politics on a global stage.

I did a bad, bad thing. Thanks to a blank in my memory, I'm not sure what that thing was, but it was horrible enough to get me locked up in the mental ward for seven years. Horrible enough that my little sister won't even speak to me. But when I'm released back into a town determined to rub my unknown sins in my face, the past isn't the only thing that's haunting me. The four "imaginary" friends who made my childhood bearable barge into my life in a very real way.

A whole family of monsters has menaced my home for far too long. And in the battle to take them down, one of resurrected gangsters I love may have lost his life all over again. But my men have already survived one set of murders. I made it out of the looney bin and rescued my sister. We've proven we don't back down...even when maybe we should.

As if falling for the ghosts of four murdered gangsters wasn't crazy enough, it turns out we've got a real live supervillain on our hands. One with mysterious powers that reach way farther than we could have imagined. And that villain has torn my sister away from me. I'll stop at nothing to bring her back and see my men get the vengeance they deserve. It's just a little hard to win a war when you're not really sure what kind of monster you're up against. Or how many you're up against, for that matter.

In this brief, semi-autobiographical work, Mark Twain explores the controversy over the authorship of the Shakespearean literary canon. Applying satire, anecdote, and extensive quotation, he uses the debate over Shakespeare's real identity to satirize prejudice, intolerance, and self-importance.

In this short essay, Mark Twain discusses the patriot William Tell, the city of Interlaken, and the Jungfrau mountain. He describes the beauty of the landscape with great admiration.

An essay in which Mark Twain destroys the pretensions of the interpretation of divine will in the world. He argues against the apparent ease and certainty of interpreting divine communications.

Mark Twain’s essay "The Bee" has a comical twist. It deals with the natural pressure on one bee assure that her colony survives. "After the queen, the next bee in importance to the hive is the virgin. All work is done by them. The males do not work, the queen does no work, unless laying eggs is work."

Winesburg, Ohio is a short story cycle by Sherwood Anderson. The plot revolves around the life of George Willard, from his childhood to him leaving the town as an adult. The work comprises 22 stories, with the first, "The Book of the Grotesque", serving as introduction. The book is considered a pioneering work of modernist literature due to the prominence giving to the psychological insight of the characters and the simple prose style.

The greedy Tom Walker, a selfish miser, worships money. When he takes a walk in the swamp, he meets the devil (referred to as "Old Scratch"). Old Scratch makes a deal with Tom Walker, offering a treasure hidden in the swamp in exchange for a great price. One day, the payment becomes due....

A Scrap of Curious History is an essay by Mark Twain dealing with the fictional history of abolitionism in a Missouri town. It was originally published as part of the What Is Man? And Other Essays collection.

William Howells was a friend of Mark Twain’s for 44 years and spent many hours in the company of this giant of late 19th century American literature. Clements’s views on slavery, literature, religion, and many sketches of home and family life emerge in this account of a truly great man.

While Mark Twain was visiting Austria, Empress Elisabeth travelled to Geneva, where she was killed by an anarchist. Mark Twain, who had known the Empress, was shocked and outraged. This essay includes a description of the funeral and Twain’s thoughts about the assassin’s mind.

This essay by Mark Twain is an amusing portrait of pupils through actual exam answers. Twain blamed the situation on the education system.

This is Mark Twain's passionate eulogy for his eldest daughter, who died from spinal meningitis aged 24. It provides an intimate portrait of his daughter and attempts to present what he experienced as her unique character.

"What Is Man?", the 1906 essay by Mark Twain, is a dialogue between a young man and an older man involving ideas of destiny, free will, and egoism. The old man asserts that the human being is merely a machine, but the young man objects and asks him to go into particulars and provide the reasons for his attitude.

Mark Twain attended the performance of operas like Parsifal at Bayreuth. He enjoyed the instrumental parts but didn’t like the singing, as he recounts in a humorous way. He called it "the wailing, screeching of third-rate obscurities, palmed off on us in the interest of economy".