Showing results by author "Philip Roth" in All Categories

Philip Roth watches as his eight-six-year-old father, famous for his vigour, his charm and his skill as a raconteur - lovingly called 'the Bard of Newark' - battles with the brain tumour that will kill him. The son, full of love, anxiety and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long engagement with life. Written with fierce tenderness, Patrimony is a classic work of memoir by a master storyteller.

Nominated for the Man Booker International Prize, 2007.
The hero of Everyman is obsessed with mortality. As he reminds himself at one point, "I'm 34! Worry about oblivion when you're 75." But he cannot help himself. He is the ex-husband in three marriages gone wrong. He is the father of two sons who detest him, despite a daughter who adores him. A masterful portrait of one man's inner struggles, Everyman is a brilliant showcase for one of the world's most distinguished novelists.

He glides through life cocooned by his devoted family, lucrative business, sporting prowess and good looks. He is the embodiment of thriving post-war America, land of liberty and hope. Until one sunny day in 1968, when Swede's daughter, Merry, commits an outlandishly savage act of political terrorism and the Levov family is plunged into mayhem. Extraordinarily nuanced and poignant, American Pastoral is the first in an eloquent trilogy of post-war American novels that still resonates today.

At sixty-four Mickey Sabbath is still defiantly antagonistic and exceedingly libidinous; sex is an obsession and a principle, an instrument of perpetual misrule in his daily existence. But after the death of his long-time mistress - an erotic free spirit whose great taste for the impermissible matches his own - Sabbath embarks on a turbulent journey into his past. Bereft and grieving, tormented by the ghosts of those who loved and hated him, he contrives a succession of farcical disasters that take him to the brink of madness and extinction...

Ira Ringold is an American roughneck who transforms himself from a ditch-digger in 1930s New Jersey, to a radio hotshot in the 1940s. In his heyday as a star - and as a bullying supporter of 'progressive' political causes - Ira marries Hollywood's leading lady, Eve Frame. Their glamorous honeymoon is short-lived, however, and it is the publication of Eve's scandalous bestselling exposé that identifies Ira as 'an American taking his orders from Moscow'.

When celebrity aviator, Charles A. Lindbergh, wins the 1940 presidential election on the slogan of 'America First', fear invades every Jewish household. Not only has Lindbergh blamed the Jews for pushing America towards war with Germany, he has negotiated an 'understanding' with the Nazis promising peace between the two nations. Growing up in the 'ghetto' of Newark, Philip Roth recounts his childhood caught in the stranglehold of this counterfactual nightmare. As America sinks into its own dark metamorphosis and Jewish families are torn apart, fear and uncertainty spread.

It is 1998, the year America is plunged into a frenzy of prurience by the impeachment of a president. In a small New England town a distinguished professor, Coleman Silk, is forced to retire when his colleagues allege that he is a racist. The charge is unfounded, the persecution needless, but the truth about Silk would astonish even his most virulent accuser. Coleman Silk has a secret that he has kept for fifty years. This is the conclusion to Roth’s brilliant trilogy of post-war America – a story of seismic shifts in American history and a personal search for renewal and regeneration.

Portnoy's Complaint tells the tale of young Jewish lawyer Alexander Portnoy and his scandalous sexual confessions to his psychiatrist. As narrated by Portnoy, he takes the listener on a journey through his childhood to adolescence to present day while articulating his sexual desire, frustration and neurosis in shockingly candid ways.

When talented young writer Nathan Zuckerman makes his pilgrimage to sit at the feet of his hero, the reclusive master of American Literature, E. I. Lonoff, he soon finds himself enmeshed in the great Jewish writer's domestic life, with all its complexity, artifice and drive for artistic truth. As Nathan sits in breathlessly awkward conversation with his idol, a glimpse of a dark-haired beauty through a closing doorway leaves him reeling. He soon learns that the entrancing vision is Amy Bellette, but her position in the Lonoff household - student? mistress? - remains tantalisingly unclear.

The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the mind of the novelist Nathan Zuckerman.

In 1951, the second year of the Korean War, a studious, law-abiding, and intense youngster from Newark, New Jersey, Marcus Messner, begins his sophomore year on the pastoral, conservative campus of Ohio's Winesburg College. And why is he there and not at a local college in Newark where he originally enrolled? Because his father, the sturdy, hardworking neighborhood butcher, seems to have gone mad - mad with fear and apprehension of the dangers of adult life, the dangers of the world, the dangers he sees on every corner for his beloved boy.

Azoto, carbonio, idrogeno, oro, arsenico... Sono ventuno gli elementi chimici che dànno il titolo ai racconti di questo libro, e ventuno i capitoli di un'autobiografia che per affinità e accostamenti corre sul filo di una storia personale e collettiva, affondando le radici nell'oscura qualità della materia, raccontando le storie di un mestiere "che è poi un caso particolare, una versione piú strenua del mestiere di vivere".

Now in his mid-thirties, Nathan Zuckerman, a would-be recluse despite his newfound fame as a best-selling author, ventures onto the streets of Manhattan in the final year of the turbulent 60s. Not only is he assumed by his fans to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?"), he also finds himself the target of admonishers, advisors, and sidewalk literary critics. The recent murders of Robert Kennedy and Martin Luther King Jr. lead an unsettled Zuckerman to wonder if "target" may be more than a figure of speech.

Goodbye, Columbus is the story of Neil Klugman and pretty, spirited Brenda Patimkin, he of poor Newark, she of suburban Short Hills, who meet one summer and fall into an affair that is as much about social class and suspicion as it is about love. The novella is accompanied by five short stories - sometimes iconoclastic, sometimes elegiac - that crackle with irreverent originality and display Roth's blazing early talent.

Philip Roth, one of the best-known and award winning literary masters of our time, engages his readership with insightful and challenging novels of the human condition. With The Dying Animal, he revisits the character David Kepesh. At age 60, Kapesh is drawn out of his carefully ordered existence and into an obsessive affair with one of his students.

At 40, the writer Nathan Zuckerman comes down with a mysterious affliction - pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman, whose work was his life, is unable to write a line. Now his work is trekking from one doctor to another, but none can find a cause for the pain or assuage it. Zuckerman himself wonders if the pain could have been caused by his own books.

Philip Roth is the most decorated American writer of his generation. In Exit Ghost, this master author crafts what may be the final chapter in the story of his beloved hero Nathan Zuckerman. After 11 years of isolation in his New England mountain refuge, Zuckerman returns to New York City and makes three important connections that threaten his carefully protected sense of isolation.

It's the sweltering summer of 1944, and Newark is in the grip of a terrifying epidemic. Decent, athletic twenty-three-year-old playground director Bucky Cantor is devoted to his charges and ashamed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. As polio begins to ravage Bucky's playground - child by helpless child - Roth leads us through every emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering and the pain.

"Lo Svedese" è un soprannome magico al liceo di Newark, New Jersey. Appartiene a Seymour Levov, il ragazzo che tutti vorrebbero essere. Alto, biondo, atletico, ebreo, Levov eccelle nel baseball e - nell' America degli anni '50 - è destinato ad eccellere nella vita: il successo professionale, quello famigliare, la villetta borghese. Ma la lunga ed estenuante guerra del Vietnam squasserà l'America e coinvolgerà personalmente Seymour, nel modo più tremendo.

À la veille de la retraite, un professeur de lettres classiques, accusé d'avoir tenu des propos racistes, préfère démissionner plutôt que de livrer le secret qui pourrait l'innocenter. Tandis que l'affaire Lewinski défraie les chroniques bien-pensantes, Nathan Zuckerman ouvre le dossier de son voisin Coleman Silk et découvre derrière la vie très rangée de l'ancien doyen un passé inouï, celui d'un homme qui s'est littéralement réinventé, et un présent non moins ravageur : sa liaison avec la sensuelle Faunia, femme de ménage de trente-quatre ans.