A form-bending and endlessly inventive collection of short stories from the Man Booker Prize-shortlisted and Baileys Prize-winning author of How to Be Both and the critically acclaimed Seasonal quartet. A middle-aged woman conducts a poignant conversation with her gauche 14-year-old self. An innocent supermarket shopper finds in her trolley a foul-mouthed, insulting and beautiful child. Challenging the boundaries between fiction and reality, we see a narrator, 'Ali', as she drinks tea, phones a friend and muses on the relationship between the short story and a nymph.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Miriam hasn't left her house in three years and cannot raise her voice above a whisper. But today she has had enough and is finally ready to rejoin the outside world. Meanwhile Ralph has made the mistake of opening a closet door only to discover with a shock that his wife, Sadie, doesn't love him and never has. And so he decides to run away.

Following her astonishing quartet of Seasonal novels, Ali Smith again lights a way for us through the nightmarish now, in a vital celebration of companionship in all its forms.

Five people: four are living, three are strangers, two are sisters, one is dead. In her highly acclaimed and most ambitious book to date, the brilliant young Scottish Writer Ali Smith brings alive five unforgettable characters and traces their intersecting lives. This is a short novel with big themes (time, chance, money, death) but an eye for tiny detail: the taste of dust, the weight of a few coins in the hand, the pleasurable pain of a stone in one's shoe.

Why are books so very powerful? The stories in this collection are about what we do with books and what they do with us: how they travel with us and shock us, change us and challenge us, banish time while making us older, wiser and ageless all at once and how they remind us to pay attention to the world that we make. With this brilliantly inventive collection, Ali Smith joins the campaign to save our public libraries and celebrate their true place in our culture and history.

Mrs Harris is a salt-of-the-earth London charlady who cheerfully cleans the houses of the rich. One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life - a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her, and she's never wanted anything as much before. Determined to make her dream come true, Mrs Harris scrimps, saves and slaves away until one day, after three long uncomplaining years, she finally has enough money to go to Paris.

This Audible Exclusive recording of Angela Carter's iconic novel, Nights at the Circus, is brought to you by celebrated actress and voice artist, Adjoa Andoh. It is described by Carter herself as a 'psychedelic Dickens.' A compelling and thought provoking novel which heralds a new age, we're introduced to the unique and mesmerizing character of Sophi Fevvers and her illustrious wings....

Laura, an impoverished Cornish girl, meets her husband when they are both in service in Teignmouth in 1916. They have a baby, Charles, but Laura's husband returns home from the trenches a damaged man, already ill with the tuberculosis that will soon leave her a widow. In a small, class-obsessed town she raises her boy alone, working as a laundress and gradually becomes aware that he is some kind of genius.

Narrated by the most compelling voice since Curious Incident of the Dog in the Night-time, this is a quirky and original voyage of self-discovery triggered by a lost urn of ashes.The mini cab office was up a cobbled mews with little flat houses either side. That's where I first met Violet Park, what was left of her. There was a healing centre next door, a pretty smart name for a place with a battered brown door and no proper door handle and stuck-on wooden numbers in the shape of clowns.

Frances had been picturing her lodgers in purely mercenary terms - as something like two great waddling shillings. But this, she thought, was what it really meant to have paying guests: this odd, unintimate proximity, this rather peeled-back moment, where the only thing between herself and a naked Mrs Barber was a few feet of kitchen and a thin scullery door. An image sprang into her head: that round flesh, crimsoning in the heat.

Sunny is the queen of living a double life. On the one hand, she's 30, flirty and thriving. But on the other, she's just moved back in with her parents while all her friends are getting married, buying houses and having babies. To complicate matters further, she's a secret serial dater, sneaking out of the house every night, leaving her parents with a trail of little white lies. But one day, her two lives collide in her parents' hallway as she's trying to slip out the front door under the cover of darkness.

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city.

Number 33 Georgiana Street houses many people and yet seems home to none. To runaway Sam it is a place to disappear. To Bohemia, it's just another blip between crises, as her mum ricochets off the latest boyfriend. Old Isobel acts like she owns the place, even though it actually belongs to Steve in the basement, who is always looking to squeeze in yet another tenant. Life there is a kind of ordered chaos.

When the kids are grown and Mercy Garrett gradually moves herself out of the family home, everyone determines not to notice. Over at her studio, she wants space and silence. She won't allow any family clutter. Not even their cat, Desmond. Yet it is a clutter of untidy moments that forms the Garretts' family life over the decades, from giving a child a ride to a painstaking Easter lunch, a fateful train journey to an unexpected homecoming. And it all begins in 1959, with a family holiday to a cabin by a lake.