The Real Odessa cover art

The Real Odessa

Preview

£0.00 for first 30 days

Try for £0.00
Pick 1 audiobook a month from our unmatched collection - including bestsellers and new releases.
Listen all you want to thousands of included audiobooks, Originals, celeb exclusives, and podcasts.
Access exclusive sales and deals.
£7.99/month after 30 days. Renews automatically. See here for eligibility.

The Real Odessa

By: Uki Goñi
Narrated by: Pat Grimes
Try for £0.00

£7.99/month after 30 days. Renews automatically. See here for eligibility.

Buy Now for £33.99

Buy Now for £33.99

Confirm Purchase
Pay using card ending in
By completing your purchase, you agree to Audible's Conditions of Use and authorise Audible to charge your designated card or any other card on file. Please see our Privacy Notice, Cookies Notice and Interest-based Ads Notice.
Cancel

About this listen

As Russian forces closed in on Berlin and Hitler’s premiership drew to a close, many Nazi officials fled Germany. In this startling, meticulously researched account, acclaimed journalist Uki Goñi unravels the complex network that led them to Argentina. Relying on international support—in Scandinavia, Switzerland, and Italy—and the enthusiasm of the Vatican and President Juan Perón, Goñi shows how this ratline allowed Adolf Eichmann—the architect of the Final Solution—Josef Mengele, Eric Priebke, and many more, into the country. Both riveting and rigorous, this remarkable investigation sheds vital light on both a disquieting episode in Europe’s history and the ties between Argentinian Catholic Nationalism and Fascist movements in Europe.

©2015 Uki Goñi (P)2022 Dreamscape Media, LLC
20th Century Military South America War & Crisis War Argentina
activate_Holiday_promo_in_buybox_DT_T2

Listeners also enjoyed...

British Traitors cover art
The Nuremberg Interviews cover art
The Pope at War cover art
Operation Paperclip cover art
The Berlin Mission cover art
Our Magnificent Bastard Tongue cover art
Ireland's Secret War cover art
Surviving Katyń cover art
A Man Called Intrepid cover art
Spymaster cover art
Codebreaker cover art
The Compatriots cover art
Spymaster cover art
An Impeccable Spy cover art
White Malice cover art
Capturing Eichmann cover art

What listeners say about The Real Odessa

Average customer ratings
Overall
  • 4 out of 5 stars
  • 5 Stars
    1
  • 4 Stars
    2
  • 3 Stars
    0
  • 2 Stars
    1
  • 1 Stars
    0
Performance
  • 5 out of 5 stars
  • 5 Stars
    3
  • 4 Stars
    1
  • 3 Stars
    0
  • 2 Stars
    0
  • 1 Stars
    0
Story
  • 3.5 out of 5 stars
  • 5 Stars
    1
  • 4 Stars
    1
  • 3 Stars
    1
  • 2 Stars
    1
  • 1 Stars
    0

Reviews - Please select the tabs below to change the source of reviews.

Sort by:
Filter by:
  • Overall
    2 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    2 out of 5 stars

Tough going.

There is wonderful research done for this book, the classic leg-work & recond shuffling kind where the historian has spent much time immersed in dusty archives uncovering illuminating files officials don't want found. It is therefore hugely disappointing to me not to find a clearly written linear narrative of this important and interesting story. Surely one is possible. We jump around from explanations of research methods, to this story, to that story, to historical context, to present day, and then to different points of time, not in chronological order. Add, lots of asides too. Perhaps it's a reflection of the condition of the record office the writer found himself in. I'm not convinced the 'how' part of the war criminals escape from Europe was all that well explained, not in any 'zoomed in' way at least. The three interviews (not interviews) at the end did something of this in miniature. Surely the basic structure should have been name, where he's from, the crimes of which he's acused, steps taken to escape justice and what happened to him, presented in chronological order. I think there should have been some explanation of how the historian was using the word 'Nazi'. It's very frequently used here and becomes difficult to listen to over and over, especially with the variety of individuals, axis powers and military coalitions involved in these ratlines. It seems a bit lazy to me at times. There is something of, it seems to me, an embarrassing moment he tells the reader: you know, "Nazi doesn't appear in Argentinian immigration records even once." Can he really be so unconscious of how little widespread it was used at the time. The narrator does a good job.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!