Everyone tells Martha Friel she is clever and beautiful, a brilliant writer who has been loved every day of her adult life by one man, her husband Patrick. So why is everything broken? Why is Martha - on the edge of 40 - friendless, practically jobless and so often sad? And why did Patrick decide to leave? Maybe she is just too sensitive, someone who finds it harder to be alive than most people. Or maybe - as she has long believed - there is something wrong with her. 

There is something wrong with Mathilda. She's still reeling from the blow of a gut-punch break up and grieving the death of a loved one. But that's not it. She's cried all her tears, mastered her crow pose and thrown out every last reminder of him. But that's not helping. Concerned that she isn't moving on, Mathilda's friends push her towards a series of increasingly unorthodox remedies. Until the seams of herself begin to come undone. 

New York is slipping from Cleo’s grasp. Sure, she’s at a different party every other night, but she barely knows anyone. Her student visa is running out, and she doesn’t even have money for cigarettes. But then she meets Frank. Twenty years older, Frank's life is full of all the success and excess that Cleo's lacks. He offers her the chance to be happy, the freedom to paint and the opportunity to apply for a green card. She offers him a life imbued with beauty and art - and, hopefully, a reason to cut back on his drinking. He is everything she needs right now. 

Behind anonymous screens, an army of cool and beautiful girls manage the dating service Ghost Lover, a forwarding system for text messages that promises to spare you the anguish of trying to stay composed while communicating with your crush. At a star-studded political fundraiser in a Los Angeles mansion, a trio of women compete to win the heart of the slick guest of honor. In a tense hospital waiting room, an inseparable pair of hard-partying friends crash into life’s responsibilities, but the magic of their glory days comes alive again at the moment they least expect it. 

Jane Peters is an adrift 20-something by day, and a world-weary agony aunt by night. But when an office party goes too far, Jane dissolves into the high-stakes world of being the Other Woman: a role she has the right advice for, but not the smarts to follow through on. What starts out as a drunken mistake quickly unravels as Jane discovers that sex and power go hand in hand and that it's hard to keep your head when you've become someone else's dirty little secret. And soon, her friendships, her sanity and even her life are put into jeopardy.

The panic years can hit at any time but they are most commonly triggered somewhere between the ages of twenty-five and forty. During this time, every decision a woman makes - from postcode to partner, friends to family, work to weekends - will be impacted by the urgency of the one decision with a deadline, the one decision that is impossible to take back: whether or not to have a baby. But how to stay sane in such a maddening time? How to understand who you are and what you might want from life? How to know if you're making the right decisions?

I drove myself out of New York City, where a man shot himself in front of me. He was a gluttonous man and when his blood came out it looked like the blood of a pig. That’s a cruel thing to think, I know. He did it in a restaurant where I was having dinner with another man, another married man. Do you see how this is going? But I wasn’t always that way.

Charlie's career as a filmmaker is on standby, she hasn't had a girlfriend in forever, her best friend is sickeningly successful (and being awkward since that night) and her dad is dying of cancer. So the invitation from Cork Film Festival comes like a sign - a chance to explore the Irish homeland she's never seen. But this isn't just any search for long-lost ancestry: Charlie's father is the sole survivor of a tragic accident that killed every other child on the small island where he grew up, and Charlie's one achievement is the film she made that tells his story. 

Meet Grace Bernard. Daughter, sister, colleague, friend, serial killer. Grace has lost everything. And now she wants revenge.

April hates men. Her dating life is a disaster and she carries the damage of her last relationship with her every day. She's trying so hard to put herself out there, but every time it seems like she's found something real it falls apart. If only April could be more like Gretel. Gretel knows how to behave perfectly in relationships - she's a 'Regular Everyday Manic Pixie Dream Girl Next Door With No Problems'. Gretel is exactly what all men want. The problem is, Gretel isn't real.  

It's Valentine's Day, and Ellie Knight finds herself eating Nutella in the bar stock after a no-show date. But single doesn't have to be the loneliest number, does it? She goes back home to her flatshare and weird flatmates. It's okay there's black mould everywhere, right? With a hangover from hell, she goes to the office job she thought she would have quit by now. Doesn't everyone hate their job? Maybe Ellie isn't following the official life plan, but perfect is overrated.

Olive is many things. Independent. Adrift. Anxious. Loyal. Kind. Knows her own mind. It’s okay that she’s still figuring it all out, navigating her world without a compass. But life comes with expectations, there are choices to be made, boxes to tick and - sometimes - stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices - because life according to Olive looks a little bit different.

Jenny is unloved, unemployable and emotionally unfiltered. Her long-suffering friends seem sick of her, and whilst her social media portrays her life as a bed of roses, it is more of a dying succulent. Adults is what you want it to be. A misadventure of maturity, a satire on our age of self-promotion, a tender look at the impossibility of womanhood, a love story, a riot. And Emma Jane Unsworth is the only voice to hear it from. Adults is excruciating, a gut punch of hilarity and an audiobook laden with truth that you will listen to again and again.

Friends. You can't live with them - and you can't live without them. Or so Matt is discovering. His best mate is getting married, leaving him high and dry. No flat-mate - and no girlfriend. Then he remembers Helen (H to her friends). H has no life outside her brilliant career - and all her best friend Amy wants to talk about is her wedding. Which suits Stringer, because catering the wedding is his first real chance to prove himself. The last thing he needs is to fall for one of the bride's friends, Susie, particularly because she's sworn off men while she sorts out her life.... 

Ruth and Hannah are sisters. They build each other up and tear each other down. Even as polar opposites they make each other laugh more than anyone else in the world. Ruth is forever single, aimless and wild while Hannah is radiant, organised and hard-working. Together, they are a force to be reckoned with. But a summer holiday changes everything, and Ruth finds herself entering a long period of self-imposed exile from the world.