January, 1145. Godfrey Bowyer, the best but least likeable bow maker in Worcester, dies an agonising death by poisoning. Although similarly struck down after the same meal, his wife, Blanche, survives. The number of people who could have administered the poison should mean a very short investigation for the sheriff’s men, Hugh Bradecote, Serjeant Catchpoll and Underserjeant Walkelin, but perhaps someone was pulling the strings, and that widens the net considerably.

The summer of 1273 is peaceful for most of England, except in the village of Tyndal, where Martin the cooper has been poisoned at the local inn. Martin had plenty of enemies; the killer could be anyone. Prioress Eleanor grieves for her friend, the newly bereaved Crowner Ralf, and offers what help she can. But then her own problems multiply.

It is the autumn of 1278. The harvest is in. The air is crisp. Dusty summer breathes a last sigh before the dark seasons arrive. For Prioress Eleanor, dark times arrive early in Norfolk. The head of her order, Abbess Isabeau, has sent Father Etienne Davoir from their headquarters in France to inspect all aspects of Tyndal Priory, from its morals to its roofs. Surely the abbess would not have chosen her own brother for this rare and thorough investigation unless the cause was serious and she had reason to fear intervention from Rome.

AD 1289 - Sir Kevin Hage, stinging over the loss of the object of his affections to the Welsh warrior known as the Serpent, drowns himself in warfare in order to forget his heartache. He travels to The Levant to fight the Muslim infidels, transforming himself in the process. He becomes hardened, brutal, and heroic, and returns to England a changed man, an English assassin known as the Scorpion.

Hugh of Singleton, fourth son of a minor knight, has been educated as a clerk, usually a prelude to taking holy orders. However, feeling no certain calling despite a lively faith, he turns to the profession of surgeon, training in Paris and then hanging out his sign in Oxford. A local lord asks him to track the killer of a young woman whose bones have been found in the castle cesspit. She is identified as the impetuous missing daughter of a local blacksmith, and her young man, whom she had provoked very publicly, is in due course arrested and sentenced at the Oxford assizes.

Ralph Delchard, a soldier who fought at the Battle of Hastings, and Gervase Bret, a talented lawyer, have been commissioned by William the Conqueror to look into irregularities brought to light during the compilation of the Domesday Book. A man’s body is found mutilated in Savernake Forest and the residents of Bedwyn sleep uneasy at night, fearing a monster stalking the town. When Ralph Delchard and Gervase Bret arrive, they discover that the locals are harbouring dark secrets and that the real killer may be a little closer to home....

October 1604. Plague has hit London, and the theatres are closed. But the capital's loss is Plymouth's gain, when a London theatre troupe, the Company, arrive on their 'Plague Tour'. Country physician Gabriel Taverner is bewitched and unnerved by the Company's sexually charged staging of Othello. But when Gabriel's friend tells him of a dangerous whispered conversation overheard during a brief break, he is relieved the Company will soon be on their way. Then one of the actors collapses, and Gabriel finds himself caught in a waking nightmare, where nothing is as it appears.

This collection of recordings about Brother Cadfael—a Benedictine monk and amateur sleuth in the 12th century—are performed here by the ideal actor. Sir Derek Jacobi, who portrayed Cadfael in several television adaptations, captivates listeners with his renderings of Monk's Hood, Saint Peter's Fair, The Heretic's Apprentice, The Potter's Field, The Summer of the Danes, and Brother Cadfael's Penance.

In 1360, the Great Bridge over the River Cam is close to collapse. To repair it will cost the town and the University dear, especially if its rotten wood is replaced by more durable stone. As arguments rage over raising the money other, equally heated, differences are coming to the boil over the election of a new chancellor. While the majority support Brother Michael for the post, at least one of his opponents aims to seize it by fair means or foul. Then the discovery of a body under the bridge and the disappearance of two scholars throws a more sinister shadow over both disputes.

London, 1882. Alec Lonsdale, a young reporter on the Pall Mall Gazette, is working on a story about a fatal house fire. But the postmortem on the victim produces shocking results: Patrick Donovan's death was no accident. But why would someone murder a humble shop assistant and steal part of his brain? When a second body is discovered, its throat cut, and then a third, Lonsdale and his spirited female colleague, Hulda Friederichs, begin to uncover evidence of a conspiracy that reaches to the highest echelons of Victorian society.

When Elizabeth Middleton leaves England to join her father at the edge of the New York wilderness, she does so with a strong will and an unwavering purpose: to teach school to children of all races - black, white, and Native American. It is December of 1792 when she arrives in a cold climate unlike any she has ever experienced. And she meets a man different from any she has ever encountered - a white man dressed like a native. His name is Nathaniel Bonner, also known to the Mohawk people as Between-Two-Lives. Elizabeth defies her father and shatters convention, but her ultimate destiny, here in the heart of the wilderness, lies in the odyssey to come: trials of faith and flesh, and passion born amid Nathaniel's own secrets and divided soul.

Rome, the very end of December. The Field of Mars is packed with monuments, none more beautiful than Domitian's new Odeon and Stadium. But the area has been overtaken by ugly events: elaborately staged murders. Someone bears a spectacular grudge against the theatrical community and intends to get revenge in the most spectacular way possible. The killer's method is to re-enact bloody scenes from the gruesome side of popular theatre, where characters in plays really die on stage.

Saker appears to be a simple priest, but in truth he's a spy for the head of his faith. Wounded in the line of duty by a Lascar sailor's blade, the weapon seems to follow him home. Unable to discard it, nor the sense of responsibility it brings, Saker can only follow its lead. The dagger puts Saker on a journey to distant shores, on a path that will reveal terrible secrets about the empire, about the people he serves, and destroy the life he knows.

Roger Mortimer was once the king’s most able commander, but now he is his most hated enemy. Escaping from the tower, Mortimer made his way to France and has hired an assassin to murder the king - but others have the same idea. As the body of a local craftsman and that of a king’s messenger who was carrying a dangerous secret are found in the city’s streets, Sir Baldwin de Furnshill and his friend, Bailiff Simon Puttock, are asked by the bishop to find out who is responsible. But when murderers can use magic, no one is safe.... 

It is 1164, and for a hundred years England has been ruled by the Normans. A young Saxon boy named Durwin, crippled by a childhood accident, had caught the eye of a Norman sage teaching at a rural school of magic. Realizing that the boy had promise, Durwin was made stable boy, and eventually allowed to attend classes. Now twenty, Durwin is proficient enough that he is assigned to teach, but the other sages refuse to promote him and he is hassled by the Norman juniors for his disability.